How Austen creates her novel “Pride and Prejudice” Essay

Jane Austen was outflankingly modest about her genius, describing her score to her work to her nephew Edward asThat pocket-size except if (two inches wide) of ivory in which I work with so fine a brush as produces little doing after much labour.Although the b all(prenominal) of her reinvigorated Pride and diagonal is confined to a small element of society comprising of landed estate-gentry and lesser aristocracy of England in the opening of the 19th century, the romance itself shows page by page how kindleing spiritedness could be, how fascinating spirits twists and turns argon, how significant the trivialities are to those concerned.The range of Austens wise is confine by her own circumstances, her own sex, and her position in the society. But the little world she writes about, she knows inside out. She fills her little world so artfully that when we are in it we do not long for anything else and we feel its fullness as well. She practiced what she preached.There a re four families in a country village is the very thing to work on. She sticks to what she knows and is refusing to include in her fresh what does not properly belong to village brio she is an artist.Austen has an acute interest in individualizedities, her field is the human heart. Therefore, although she writes in the years of war amid England and France while Napoleon was changing the map of Europe, in her novel we watch not mention of Britain at war. In Pride and Prejudice soldiers same Wickham, receive to Meryton to provide, in a sense, amusement for the girls. Austen olibanum does not jaw anything harsh or unnecessary on her novel this alludes to the artistic one of her creation. She consciously limits herself and does not write anything beyond her experience. It may well be mentioned here that in A Room Ones hold Virginia Woolf pays a rich tri merelye to Austen by mentioning that novels comparable War and stop could n ever be written by any female novelist, but ce rtainly no Tolstoy could ever write the novels of Jane Austen.Austen deliberately and wisely limits herself to a fewer families and a limited number of pieces in Pride and Prejudice. Her characters live in comfort in country houses their lives consist of memory balls, attending parties, visiting each others house and thus amusing themselves. In that society even a small outlet is given a high importance. Thereby a ball at the Bingleys or at the Lucases is eagerly anticipated and minutely analyzed.Austen chooses her characters from very modal(a) life. Her characters range from the proud aristocrat Darcy to the dull-witted Mrs. Bennet, from the grievous-natured Jane to the hypocritical Miss Bingley. The men-folks in her novel do not in fact do nay work whereas the young girls are alship canal in pursuit of good husbands. The girls have somehow managed to turn themselves into husband hunting butterflies. Distant Pembrly, Netherfield and Rosings are the upper limit, whereas Sir W Lucas and Lady Catherine Debourgh are highest in rank, the still higher estates and greater aristocracy are not mentioned in the novel, since they little effect Meryton and Derbyshire.The elbow room Austen treats her characters is satiric. Her views of life are therefore always satiric the rabid and tragic aspects of human life are somehow discarded. Only such characters are chosen that could be satirically treated. This satiric vision of life is a limitation on Austens part. Critics sometimes mention that Austen Banished nine-tenth of life, and gave us people who never work, or fight or die, or lust or go crazy.In the view of that above-mentioned statement we discern that people in Pride and Prejudice engage themselves in doing nothing. Mr. Darcy on the face of it seems to have some work to do when he is at Pemberly, the work he does there is obviously connected with his estate. Mr. Gardiner revels in fishing only. Mr. Bennet, as we are told, takes one of his farms but only e merges from his library when he call for to settle some family affairs. Mr. Hursts motto of life is High funding and little come backing. Reading has a place in family entertainment and since all the novels are heard at family gatherings, the writers take care to fill up pages fit for family consumption.In fact, Austens knowledge of mens ways limited, but she knew how to useher limitation. In Pride and Prejudice men come and go, and sit and chat when in front of the ladies Austen does not pursue them into their personal world. We may see Fitz William Darcy and Bingley set off in a bearing but what they discuss is never reported if no woman is present. disrespect Austens failure to present the many facets of mens life, she is thriving in providing an illuminating insight into some of the most significant characters like that of Darcy and Bingley.For instance, Darcys transmigration from a proud and snob person to a forgiving and reliable one is shown with perfect dexterity. In this novel Austen does want to cope with students of political economics, or social problems. The life and its complications that she depicts are just as what she experienced as a woman. Quite naturally her themes in this novel center the complex role of money and love in marriage. In doing so she even consciously avoids any discussion on philosophic or social issues. A sincere plot concerning a few number of people is woven in this novel.That Austen has no wish to exceed the limitation of her own is quite evident when we find that urban life is excluded from the novel only because she had not much experience of it. It is mentioned casually during Janes visit to London. We have also observed that no black-hearted villain ever makes an appearance in Austens pages. The greatest villainy that ever occurs in Pride and Prejudice is the occasional elopement of Lydia with Wickham. Wickham indeed lacks all those negative traits of character which could have made him a person of shade lik e that of Alec in Hardys Tess of the Durbervilles. Therefore, Wickhams possibility to be the only villain in Pride and Prejudice ends there.Still it is no shallowness or lack of insight on Austens part, which leads her to restrict the exploration of human nature to the apparent social level. Austen gives us in her novel an artistic unity in which nothing is forced, nothing is excessive. A simple plot proceeds bit by bit to the only closing possible. Her characters act and speak in a very familiar way as we can imagine. The characters are so true to nature and so well-balanced against constructing types that as they talk along the story we begin tothink that it would not matter if there were no plot. The central figures whose union we proclivity grow upon us as their mistakes and recoveries reveal the fineness of their spirit. Therefore, in Austens world there is a welcome for the sensitive reader who lead accept it as it is and will not cry out for, in the words of one critic The moon of passionate embraces or the lightning of sword.