Moral Conflicts in Crime and Punishment Essay -- Crime Punishment Essa

Moral Conflicts in Fydor Dostoyevskys Crime and penalization Crime and Punishment by Fydor Dostoyevsky has been hailed as the greatest literary work in the westerly hemisphere. Crime and Punishment was written in pre-Communist Russia under the Tsar. Dostoyevskys writing shows cortical potential into the hu globe mind that is at once frightening and frighteningly real. His main(prenominal) character, around who every other characters are introduced, is Rodion Romanovitch Raskolnikov. Raskolnikov assassinates an old pawnbroker woman for evidently no reason at all. His sister and mother move to St. Petersburg pursual his sisters engagement to a man whom Raskolnikov was extremely displeased. Raskolnikov undergoes severe mental trauma, and fall ill subsequently the killing. The reader isnt sure why Raskolnikov killed the woman, indeed it appears that Raskolnikov didnt acknowledge himself. He is surrounded by allys and his family and draws in other characters to him during his illness. He befriends a woman, Sofya Seymonavitch, who prostitutes herself to support her mother and her drunken father. As the police come close set(predicate) onto his trail Raskolnikov faces serious threats to his sister from her two suitors, one of which tries to rape her and kills himself after he finds that he cant bring himself to. At the end Raskolnikov gives himself up, and gives his family into the care of his friend Rauzumihin, who marries Raskolnikovs sister Douina. Dostoyevsky exposes the darkest sides of human nature in with characters that are completely human. The bilgewater Dostoyevsky weaves is a murder mystery, with the murderer and all the facts of the murder known in the very first pages of the book. How then can it be a murder mystery? The mystery is finding out why Raskolnikov comm... ...and then gives all of his money in the world to Marmeledovs family after his death? Who befriends and supports Sofya? Who age and time again defends his sisters honor and safety? Can the reader call this man murderer, shun him, and cast him out, make him the bad guy? Or must(prenominal) the reader be forced to see the suffering Raskolnikov is inflicting upon himself, the acceptance that what he did was evil, his urge to confess to the world what he had done. Must the reader in the end admit that this horrible criminal is human? That Rodion Romanovitch Raskolnikov was neither wildcat well nor hero, but one of us? Dostoyevsky leaves the reader who was looking to divide the characters with the sword of moral right and wrong with the sword pointing directly at himself. deeds CitedDostoevsky, Fyodor. Crime and Punishment. Trans. Constance Garnett. New York Modern Library, 1950.