In both Emma and Clueless, the misunderstandings arising from acts of artificiality are used to comment companionable values and attitude. In clueless, Eltons casual acceptance of Emmas panegyric of Tai, isnt she beautiful, evokes spacious excitement in Emma, causing her to believe he is greatly admiring, and deeply in love with Tai. At the said(prenominal) time, the informant is privy to the gazing looks of Elton focused solely on Emma, done a close up shot revealing the full-strength purpose of his desire. This dramatic irony is in addition usual in the end lines of chapter 6 of Emma, as Emma expresses satisfaction at Mr. Eltons tender word of Harriets portrait, oblivious to his admiration for herself. The power and learn able to be exerted by he beautiful, rich Cher is pictured through a series of cuts between her wielding a camera, typic of dominance, and the movements of people in the photo. The ease with which Cher is able to manipulate them clear portrays the cool, popular kid of innovative confederation as being in control, evident of the underlying superficiality in todays society. This feature of society transcends both texts, manifesting itself in Austens novel through Mr Eltons blatant displays of senseless appraisals of Harriets portrait, in suck up to Emma. In the two correspond scenes, more emphasis is fixed on class divisions in Clueless, with Tai being foreshadowed in the background by the radical of popular friends, until Emma exerts her powers of influence to bring her into the foreground. It is also only after Emmas treatment; hat Elton reluctantly places his lace around Tai, emphasizing the incompatibility of those on different ladders of the social hierarchy, which ties closely wit the diagram of Emma. The ignorant and artificial air in which aristocracy and todays alike are depicted in both... If you want to get a full essay, order it on our website: OrderCustomPaper.com
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